psychological thriller
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A family moves cities to start again, and a girl alone in a bedroom becomes the cost of it. Jami Worthington’s The Valley is less interested in its killer than in the twenty-five years that follow — and that, mostly, is to its credit.
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There are thrillers that frighten you with what waits in the dark, and then there are thrillers that frighten you with what smiles at you in the light. Soft Erasure by A.D. Levenson belongs firmly to the second kind and it unsettled me in a way I did not quite expect when I turned the…